Visual Art

“Invocation” depicts three horn-like forms rising from darkness like ceremonial trumpets. In this light, the upward movement is not mere ascent but a call to something greater. An invocation of spirit, memory, or cosmic resonance. 

 “Trinity” features three entwined figures in vibrant motion evoking unity, multiplicity, and symbolic presence.

“Introspection” emerged through spontaneous creation, channeling subconscious imagery and sensory intuition. This piece invites viewers to interpret its forms freely: as armor, as organic body, or as the gaze of the self turned inward. The textured layers and saturated palette evoke mythic energy, half-beast, half-spirit caught between observation and transformation.

“Apple Pie” blends organic warmth and surreal abstraction into a vibrant composition.  While the title references something familiar and comforting, the imagery itself unfolds in a dreamlike, ambiguous space offering the viewer both nourishment and mystery. It’s a whimsical meditation on desire, memory, and the surreal potential of everyday things. 

In “Junction,” sharp intersecting lines and layered colors form a complex structure that suggests crossings or turning points. Subtly embedded in the composition are facial contours and fragmented features, perhaps an eye or a jawline emerging like subconscious signals from within. This convergence of paths and presence invites reflection on moments of decision, tension, and self-recognition.

 “Dreamtime” blends animal spirit and abstract anatomy inviting the viewer into a layered realm of memory, myth, and subconscious flow. The forms suggest fluid movement and a connection to natural rhythms, as if drifting through a submerged memory or inner ocean of symbols. 

 “Breath” shows a pale face exhaling blue feathers evoking spirit, speech, and the quiet power of letting go. A meditation on presence and release. 

In “Sisters,” three abstract faces emerge in different directions, their features distorted yet clearly human. Despite their individuality, they are bound by a single shared stripe of hair. An organic connection that hints at sisterhood, shared origin, or emotional interdependence. The image speaks softly of kinship, complexity, and the invisible ties that connect us. 

 “Metamorphosis” channels raw transformation. Black forms rise around a glowing core in a red field, evoking emergence, tension, and the power of becoming. 

In “Friendship,” interwoven lines and vibrant hues converge to symbolize the intricate bonds and emotional connections that define human relationships. The composition’s dynamic interplay of forms and colors invites viewers to reflect on the multifaceted nature of friendship. 

 “Fate” intertwines soft ribbons of color into a quiet, graceful tension evoking surrender, entanglement, and the invisible pull of life’s course. 

 In “Garden,” flowing lines in red and blue form a light, almost dreamlike structure. A subtle, serpentine figure reminiscent of a dragon or mythic creature emerges faintly within the abstract. The composition feels expansive and elemental, evoking a sense of growth, motion, and ethereal presence, like a garden of the imagination. 

In “Audience,” only the essential features of two abstract faces are rendered. Overlapping yellow and black stripes suggest shared or entangled hair, adding a visual rhythm to their closeness. One figure subtly pushes forward, creating a quiet tension between presence and perspective. The result is an intimate moment of attention, direction, and ambiguity. 

“Elsewhere” floats blue, organic shapes through red space evoking distance, soft connection, and the gentle drift of thought or presence. 

 “Thinking” isolates a fluid blue form in vivid orange space suggesting introspection, focus, and the silent energy of reflection. thoughts unfold slowly and silently in a space beyond words. 

 In “Peace against Peace,” two abstract heads float in quiet tension, one upright, the other inverted. In a surreal moment of visual fusion, one figure holds the other’s ear in its mouth. The ear itself becomes a delicate white bird with a yellow head. A living symbol suspended between communication and silence, tenderness and discomfort. The work suggests a paradoxical closeness, where intimacy can both heal and overwhelm.

 “Fulfillment” is a calm, organic composition where soft curves and tiny beetle-like forms suggest harmony, subtle purpose, and the peace of quiet motion. 

 In “Bewildered,” vibrant yellows intertwine with dynamic lines, creating a sense of energetic confusion and layered complexity. The composition evokes feelings of disorientation and curiosity, inviting viewers to navigate its intricate pathways. 

 “Tribe” evokes rhythm, ancestral connection, and spiritual lineage. Bold black lines dance across earthy tones and vivid blues, suggesting movement, ceremony, or symbolic gathering. Each form feels alive and interdependent, like voices in a chant. The composition merges abstract energy with belonging, inviting reflection on shared identity and the unseen threads that connect us. 

 “Digitalisation” explores fragmented presence in a hyperconnected world. Ribbon-like streams weave through yellow fragments, some with watching eyes suggesting faces, thoughts, or data being split and absorbed. The work mirrors the tension between instinct and technology, inviting the viewer to navigate a fractured, fast-moving reality.

 “Education” reflects the act of shaping and transferring knowledge. Two abstract faces in profile suggest one influencing the other, with red accents evoking speech and energy. The work captures education as both gift and disruption. A visual meditation on communication, legacy, and the intimacy between learner and guide.

 In “Ensemble,” a tangle of blue and red forms, some evoking faces, others fish-like bodies intertwines across the canvas. These shapes blur the boundary between human and aquatic, conscious and unconscious, inviting viewers to explore themes of connection, coexistence, and shared presence. The composition is dense, fluid, and emotionally layered, like a collective voice made visual. 

 In “Browse,” blue and black forms coalesce into what appear to be horse heads, fragmented, shadowed, and spectral. These figures suggest movement, instinct, or even memory, like a herd glimpsed through a veil. The work invites viewers to engage with the primal and the poetic, where form flickers just on the edge of recognition. 

 In “Gathering,” sweeping areas of blue, black, and yellow shape a dense, ambiguous composition. Within the forms, subtle impressions of faces may emerge. Unclear, overlapping, perhaps imagined. The piece suggests a collective presence, a convergence of identities or emotions, without offering a defined narrative. Like a crowd in motion or memory, it exists in the in-between. 

 In “Inside Out,” abstract faces emerge in red, iron brown, and touches of blue. Distorted, layered, and emotionally raw. The composition suggests a reversal of surface and depth, as if inner thoughts or identities are being exposed. It is a visual meditation on what we hide, reveal, and carry beneath the skin. 

 “Creation” captures energy in motion. Ribbons of color, embedded eyes, and flowing forms evoke spontaneity, emergence, and the raw joy of becoming. It suggests a world forming as it’s felt, not planned. 

 In “Bonding,” shadowy, faceless heads appear from behind, their presence subtle yet undeniable. Rendered in tones of blue, red, and grey, they seem close but distant. Connected, perhaps, through shared silence or unspoken understanding. The composition captures the emotional ambiguity of human closeness: the mystery of what it means to be together, yet alone. 

 In “Escape,” a contorted yellow head glances anxiously backward, while a fiery red bird bursts from its mouth. The two forms blur, embodying fear, urgency, and the longing to break free. 

 “Transition” explores change through overlapping heads and rising forms, where emotion, identity, and transformation flow between entanglement and release. 

“Unsure” captures a fleeting, in-between moment. Bold forms and broken gestures hint at something forming, but not yet decided balancing tension, vulnerability, and ambiguity. 

 “Worlds” blends a sea lion-like form, a red face, and a bird whose beak becomes a nose suggesting mythic identity, ancestral memory, and the entanglement of inner worlds. 

 “Chamber” explores interior space. Dark flowing forms and a glowing core evoke quiet emotion, shelter, and presence. 

 “Mirror” layers soft, closed-eyed faces in abstract reflection, evoking emotion, memory, and identity without a fixed self. A gentle meditation on inner perception. 

 “Attraction” distills closeness into minimal lines and color. Two faces nearly meet, held by tension, magnetism, and quiet emotional charge. 

 “Endless” layers fragmented faces in looping motion, suggesting repetition, emotional recursion, and identity that refuses to settle. A vivid portrait of continuity and inner flux.

 “Body and Soul” fuses two abstract heads into one continuous form where the mouth of one becomes the ear of the other. A golden meditation on inner connection and transformation. 

 “Abundance” pulses with layered forms and leafy textures celebrating fullness, growth, and the vitality of overflowing presence. 

 “Silenced” shows layered human-animal forms in tense interaction evoking primal instinct, emotional suppression, and the struggle to speak freely 

“Irreversible” captures a moment of quiet transformation or rupture, expressed through minimal yet charged forms. A soft, organic silhouette curves inward, almost as if absorbing or releasing sound. The warm peach and coral tones suggest tenderness, while the striking red contour and black motion lines hint at impact Something spoken, felt, or broken that cannot be undone.

“Birds” forms a two-faced head—one expressive, one reserved, filled with tangled bird-like shapes. A vivid portrait of inner contradiction and the many voices we carry. 

“Fruit” reveals a dark core surrounded by fleshy curves. Part body, part symbol. A visual meditation on inner space, ripeness, and the tension between protection and exposure. 

“Encounter” shows two abstract faces converging hovering between connection, tension, and recognition. A vivid study of presence and proximity.

 “Grow” flows with motion and energy. Seed-like forms rise through arcs of green and blue, capturing the quiet force of becoming. A study in momentum and potential. 

“Childhood” blends soft colors and shifting forms into a playful, emotional memoryscape evoking imagination, connection, and the mystery of early experience.

 “Tissue” explores layered identity through face-like forms and tangled strands suggesting sensation, memory, and the inner weave of being.